julia jin-wolfson

Realist paintings shaped by attention, memory, and the burden of form.

See 'What Could Be Greater?'
A man gazes off with his hand raised to his face. Beside him, a woman stands with her eyes closed. She wears a black scarf and a gold cross. “What can be higher than being in love and being loved?”
See 'A Lively Existence'
A woman sits on the phone in a 1980s living room. Her posture is relaxed, but her expression is flat. To her left, a television faces into the room at an angle. To her right, a couch is stacked with newspapers. A small teddy bear sits upright near the wall.
See 'Pride'
Four children sit around a Connect Four game. Their faces are serious. The board stands between them, tokens scattered on the table. No one is speaking or moving. They wear private school uniforms.
See 'Grieving Enoch'
A large group stands closely together in a bright room. They face forward, arranged in rows. One person holds a framed image at the center.
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